Belle Sisoski, the sensational 18-year-old DJ and multi-instrumentalist, has just dropped the ultimate Christmas bombshell, and it’s nothing like you’ve ever heard before! In her latest track, “CAROL OF THE BELLS,” Belle takes the festive season to a whole new level of intensity, giving Christmas carols a dance-worthy makeover that will leave you in awe.
Christmas just got INTENSE
In her YouTube upload description, Belle exclaimed, “Christmas just got intense!” And intense it is, as she infuses the holiday spirit with her signature EDM magic. This track, marking her final release of 2023, is a glimpse into the innovative musical landscape Belle promises to explore in the upcoming year.
But what makes “CAROL OF THE BELLS” truly exceptional is not just the electrifying beats but the diverse array of instruments and samples Belle expertly weaves into the composition. Here’s a peek at the musical arsenal she unleashed:
Instruments Used
- Yak Horn (Tibet)
- Angklung (Indonesia)
- Rainmaker (Sarawak)
- Bonang (Indonesia)
- Sompoton (Sabah)
- Tapi (Sarawak)
- Kompang (Indonesia)
- Tabla (India)
- Piano
- Gangsa (Indonesia)
Belle Sisoski’s choice of instruments in “CAROL OF THE BELLS” reflects a rich tapestry of cultures and histories from various regions. Here’s a brief exploration of some of the instruments she incorporated into this festive masterpiece:
Yak Horn (Tibet)
The use of the Yak Horn in Tibetan culture is deeply rooted in their nomadic lifestyle. Yaks are integral to Tibetan livelihood, providing not only sustenance but also materials for instruments. The horn’s unique sound adds an authentic touch to the composition, representing the resilience and adaptability of Tibetan communities.
Angklung (Indonesia)
Originating from Indonesia, the Angklung is a traditional bamboo instrument played by shaking to produce distinct tones. It’s often used in ceremonies and celebrations, embodying the communal spirit of Indonesian culture. Its inclusion in the track brings a touch of Southeast Asian festivity and unity.
Rainmaker (Sarawak)
The Rainmaker, used in Sarawak, Malaysia, is a percussion instrument imitating the sound of rain. In indigenous cultures, rain is essential for agriculture and life. The Rainmaker’s presence in the composition may symbolize the importance of nature and the celebration of life in Sarawakian traditions.
Bonang (Indonesia)
The Bonang, a set of small gongs, is an integral part of traditional Javanese Gamelan orchestras in Indonesia. It carries cultural significance in Javanese court music and ceremonies. Incorporating the Bonang adds a layer of classical Indonesian flavor to the track, connecting it to the rich heritage of the region.
Sompoton (Sabah)
Hailing from Sabah, Malaysia, the Sompoton is a mouth organ made from bamboo. It is commonly played during traditional ceremonies and cultural events in Sabah. Its inclusion reflects the artist’s commitment to preserving and showcasing the diverse musical heritage of Southeast Asia.
Tapi (Sarawak)
The Tapi, a string instrument from Sarawak, Malaysia, is traditionally made from wood and played with a bow. It has a distinct sound, often used in indigenous rituals and celebrations. Its presence in the track pays homage to the musical traditions of Sarawak’s indigenous communities.
Kompang (Indonesia)
The Kompang is a traditional hand drum used in various Indonesian cultures, particularly in Malay and Javanese traditions. It plays a significant role in festive occasions and ceremonies, adding a rhythmic and percussive element that resonates with the celebratory spirit.
Tabla (India)
The Tabla, originating from India, is a pair of hand-played drums. It holds a central place in Indian classical music and has a rich history dating back centuries. Its inclusion brings an element of classical Indian music to the composition, showcasing the diversity of musical traditions in the track.
Piano
While the piano is a Western instrument, its versatility allows it to seamlessly blend with diverse musical styles. In this composition, the piano provides a melodic foundation, acting as a bridge between Western and Eastern musical elements.
Gangsa (Indonesia)
The Gangsa is a type of metallophone used in the Philippines and Indonesia. It is part of traditional Gamelan ensembles and is often associated with court and ritual music. Its inclusion adds a touch of Indonesian Gamelan tradition to the track.
Belle Sisoski’s thoughtful selection of instruments not only creates a mesmerizing musical experience but also pays homage to the cultural significance and history embedded in each instrument. It’s a celebration of diversity and a testament to the power of music in connecting people across borders and traditions.
Samples Used
- The St. Olaf Choir (Ukrainian Bell Carol)
- Brock Snow – powerful choral orchestral
- Nick Nuwe – Free Force
Imagine the fusion of a Yak Horn from Tibet with the rhythmic beats of the Tabla from India, all harmonizing to the tune of a Ukrainian Bell Carol. Belle’s masterful orchestration brings together the sounds of diverse cultures, creating a truly global Christmas experience.
Pulsing Beat
As you listen to “CAROL OF THE BELLS,” you can feel the pulse of each instrument, creating an immersive journey that transcends traditional carols into an uncharted realm of musical celebration. The powerful choral orchestration by Brock Snow and the dynamic force of Nick Nuwe’s samples add an extra layer of intensity to this festive masterpiece.
In her message to fans, Belle expresses her excitement about sharing more projects in the coming year, leaving us eagerly anticipating what other musical wonders she has in store. As the year comes to a close, “CAROL OF THE BELLS” serves as a thrilling crescendo, a musical gift to her fans, and a promise of more magic to come in the new year.
So, let’s turn up the volume, hit play, and let Belle Sisoski’s “CAROL OF THE BELLS” redefine the way we dance into the holiday season. Happy holidays, and stay tuned for the musical adventures that await us in 2024! 🎄🎶